Free Plugins Download, Synths, FX, Loops and Samples

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AutoGun Free Plugins for Fl Studio Download

February 2nd, 2012 | Posted by admin in Plugins | Windows - (0 Comments)

A universe of sounds!

But wait! If you listen to 1 preset, every second, 24 hours a day, it will take you over 136 years to complete this task. It’s clear you will need backup, and you have it, your fellow Autogun users. Every Autogun is set to start from a unique preset number, so that each member of the team is assigned a personal starting address, ready to explore. However, you can at any time, jump to a new location in the preset-space by simply entering a preset number.

Once a prized sound is discovered, and it’s preset number logged, share them with other Autogun users or import them into Ogun, for detailed study or further development.With so many presets Autogun needs no programming, every sound is already somewhere ‘out there’ you just need to locate it, and you will, Autogun’s sonic landscape is a sonic adventure..

Key features:

Based on the Ogun synthesis engine
Enhanced by the Soundgoodizer, maximization engine
4294967296 amazing presets to explore
Preset number copy/paste field
Preset up/down buttons
Volume control

System requirements

2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512Mb RAM.
30Mb free disc space.
DirectSound or ASIO compatible soundcard.

Freware Download

FL Slayer is a realistic electric guitar simulation originally developed by reFX. It uses hybrid synthesis, similar to physical modelling. The simulator is equipped with a high quality amp section and effects rack, enabling you to recreate a complete electric guitar sound without needing additional plugins.


Guitar plugin

FL Slayer is included in every edition of FL Studio. Note however that FL Slayer is a VSTi plugin in a custom FL Studio wrapper, so the per-note parameters and slides don’t work as with regular native FL Studio plugins.

System requirements

Registered FL Studio program needed.
VST host software
Windows 7, Vista, XP (SP2) – (32 & 64 Bit)
2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
1GB RAM (2GB or more recommended)
10Mb free disc space.
Display with 1024-by-768 or higher resolution

Technical Specifications:

Playing-aids for instant gratification
Build-in AMP/Cabinet simulation
Build-in Pre/Post AMP effects
64 ready-to-go presets included

Link to the Slayer2 Windows installation file.

Win demo/Installer

Edison Wave Recorder/Editor VST Fl Studio Plugin

January 28th, 2012 | Posted by admin in Plugins | Windows - (0 Comments)

Edison, the wave recorder/editor, will change forever the way you think about working with audio. It’s a fully host-integrated audio editing and recording tool that loads into any VST compatible effects location and will then record or play audio from that position.

An audio editor… as a plugin … or standalone


You may load as many instances of edison as you desire, in any number of mixer tracks or effects locations.

System requirements

2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512Mb RAM.
30Mb free disc space.
DirectSound or ASIO compatible soundcard.



Key features:


Optimized for sampler use (sampler region, seamless looping)
Drumloop slicing (auto-slicing, slice manipulation)
Quick drag&drop support (between instances or to your sequencer/other plugins)
Various recording modes (start/stop with host, on audio input, can also work as transparent audio logger)
Time manipulation (time stretching/pitch shifting, scratching)
Effects: convolution reverb, blur, linear-phase equalization, …
High-quality resampling
The smoothest spectral analysis display
Click-free editing
Full undo history
Intuitive editing with key feature tool-buttons
(Pascal) scripted manipulation of waveforms
Control surface support (FL Studio 8 version)

Order FL Studio to get this plugin.

Win demo/Installer

Invent sounds

The WASP vsti-dxi is best described as a “broad” analogue emulation

synth, which means it can model sounds from a large range of

analog synths such as Moog, Roland and others.
New & experimental sounds are easy to synthesize with this plugin!

System requirements

2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512Mb RAM.
30Mb free disc space.
DirectSound or ASIO compatible soundcard.

Technical Specifications


2 oscillators with coarse tune, -36/+36 semitones, & fine tune
Oscillator shapes including sawtooth, square, sine & noise
Sub Oscillator, slaved to Osc1 (one octave below), saw & square shapes
Oscillator Mix slider
Pulse Width for Osc1 & Osc2
Frequency Modulation (Osc1>Osc2)
Ring Modulator (Osc1 x Osc2)
Amplitude envelope (ADSR) which can be linked to Filter ADSR
Filter envelope (ADSR)
2 LFOs with Pitch, Osc Mix, Cutoff, Amp, PWM targets
Filter section, packed with 6 filters.
Cutoff, Resonance & Filter Envelope Amount adjustable
Distortion section with Drive + Tone Control

Link to the WASP & WASP XT Windows installation file.


Win demo/Installer

For your mixing and mastering pleasure we bring you Juice Pack, a collection of the most popular effects from FL Studio as VSTi plugins.

Inside this pack you will find a collection of VSTi plugins designed to give
your tracks that professional polish you are looking for.

Delay (VSTi)
Delay Bank (VSTi)
Flangus (VSTi)
Love Philter (VSTi)
Multiband Compressor (VSTi)
Parametric EQ (VSTi)
Parametric EQ 2 (VSTi)
Spectroman (VSTi)
Stereo Enhancer (VSTi)
Vocoder (VSTi)
Wave Candy (VSTi)
WaveShaper (VSTi)

System requirements


Windows XP/Vista/7
2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512 Mb RAM
130 Mb disk space

Link to the JuicePack VST plugins.

Win demo/Installer

PoiZone is a subtractive software synthesizer designed to bring you professional quality results, without a learning curve that hinders your creativity.

The concept behind PoiZone was to design a synthesizer that had the smallest number of controls while providing the maximum flexibility and features.


A lot of punch in a simple package.


Useless knobs were ruthlessly removed so what remains is a UI where every knob counts. Once you have spent some time auditioning the preset patches we are sure you will agree that PoiZone packs a lot of punch in what appears to be a simple package, enjoy!

System requirements

Windows 7, Vista, XP (SP2) – (32 & 64 Bit)
2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512Mb RAM.
30Mb free disc space.
DirectSound or ASIO compatible soundcard.
OSX v10.4 (Universal Binary)
G4 1.5 GHz or Intel Core Duo family.
512Mb RAM.
30Mb free disc space.
CoreAudio drivers.


Key features:


2 oscillators that can produce the two most popular and useful shapes for subtractive synthesis: fat, bright SAW and PULSE shapes, with adjustable pulse width.
Noise generator.
Ring modulation
Sync modulation
16 voice polyphony
4 voice UNISON with user-adjustable stereo panning and ‘Octaver’. The Octaver expands the harmonic range and flexibility of the unison sound to support the creation of realistic ‘vox-like’ effects
2 ADSR envelope generators. One for traditional envelope duties, the other can be user assigned
3 FILTER modes – low pass, band pass and high pass. PoiZone features a warm, super-trooper-extra-analog-moog-like-mega filter with self oscillation. Special attention has been given to precise filter tuning so that when KEYTRK is set to maximum, the PoiZone filter will track keyboard frequency precisely so it can be used as an oscillator. The PoiZone filter has bright and clean sound or it can be ‘grungy’ and ‘angry’ when resonance is introduced as it features some light distortion. And even with distortion the filter sounds clean on high frequencies as it has no aliasing
Keyboard and Velocity tracking for the filter
Multi-mode Arpeggiator
Noise Gate with an adjustable 16 step pattern. The gate features smoothness control and the ability to import/export patterns to .fxp files
DELAY effect, with tempo-synced click-free stereo delays and delay time modulation. Lo-cut and hi-cut for trancers!
CHORUS with a warm sound with great unison emulation
MIDI learn feature with the ability to save/load MIDI setups to/from a patch
LFO and MOD WHEEL modulation. Can be assigned to a wide range of performance parameters in PoiZone
330 high quality factory sounds.

Link to the Poizone Windows installation file. Link to the Poizone MAC OSX installation file.

Win demo/Installer
Mac demo/Installer
Online Documentation

Hardcore Guitar Classic Effects Fl Studio Plugin

January 19th, 2012 | Posted by admin in MAC OSX | Plugins | Windows - (0 Comments)

Hardcore a collection of 10 classic effects designed with Guitarists in mind.


Your digital pedalboard

Playing guitar is cool, but the steep learning curve to make your DAW sound like your old amp and stomp-boxes definitely isn’t. Welcome then to Hardcore.

These great stomp-boxes can be neatly arranged on the Hardcore pedalboard, each with it’s own distinctive ‘hardware’ flavour. But wait, there’s more (as they say), Hardcore includes an 8 band graphic EQ and 5 classic cabinet simulations to tie it all together into one massive sound. You will be feeling at home with Hardcore in no time at all, but more importantly sounding like famous people.



System requirements


2Ghz Intel Pentium 3 compatible CPU
Intel CPU or G4 PowerPC (Mac)
512 Mb RAM
20 Mb disk space


Inside Hardcore you will find all your staple effects including:


Noise Gate

Link to the Hardcore Windows installation file. Link to the Hardcore MAC OSX installation file.


Win demo/Installer
Mac demo/Installer

Pitcher (effect) is a real-time pitch correction and manipulation plugin.

This time it gains a new user interface and more advanced feature

Pitcher – live pitch control

System requirements


Windows XP/Vista/7
2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512 Mb RAM
130 Mb disk space

Key features:


Autocorrect vocals & instruments live
Correct/Harmonize using the Piano roll
Correct/harmonize playing live keyboard

Link to the FL Studio installation file.

Windows demo

Play with time! Gross Beat is a time and volume manipulation effect designed for repetition, scratching & gating effects.

Instant and powerful …

Gross beat is perfect for real-time or rendered gating, glitch, repeat, scratching and stutter performances. Gross Beat stores audio in a 2-bar rolling buffer under the control of 36 user definable time and volume envelopes, giving you unlimited creative control.

Live or automated performance

Gross Beat Time and Volume presets can be linked to a keyboard, pad controller or automation source for on-the-fly changes to the preset. Preset slots can be set to momentary (key-held), return to base (slot 1) or hold mode on a per-preset basis.  Preset-change synchronization can be set from immediate through to 4 beats (1 bar).


Gating & volume effects

In addition to the gating possibilities afforded by the spline based envelope, Gross Beat is perfect for side-chain effects without the need to link to an audio source. Just select one of the ducking-style presets for instant side-chain pumping.

The TRON Legacy legacy …

Gross Beat can be heard on Daft Punk’s Tron Legacy soundtrack playing a major part in the rhythmic structure. Why not experiment with the same presets as were used in the soundtrack.

System requirements

Windows XP/Vista/7
2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512 Mb RAM
130 Mb disk space


Key features:


Powerful MIDI controlled envelopes
2 bar audio buffer
Real time effect, perfect for live performance
36 volume/gating envelopes with user-controlled smoothing
Linked or independent volume & gating slot operation
A large number of creative presets ready to go

Link to the Gross Beat Windows installation file.

Win demo/Installer

Harmless Fl Studio Plugins Synthesizer

January 8th, 2012 | Posted by admin in Plugins | Windows - (0 Comments)

Harmless is an additive synthesizer doing subtractive synthesis. Or if you prefer, a subtractive synthesizer powered by an additive synthesis engine.


Not just another subtractive synth….

You may ask: why?

For several reasons. To begin with, there are too many subtractive synthesizers already, often bragging about being virtual analog. This one is digital, and proud to be. Everything is fake, the tone generator, the filter & its resonance, the phaser, all performed on the harmonics, before partials are computed.
Now, how it’s synthesized shouldn’t matter after all, if the result sounds subtractive. But Harmless is more than a proof of concept, it allows fine control that wouldn’t be possible through classic subtractive synthesis. Filtering and phasing can be assigned unusual shapes & slopes, something normally only possible through offline digital filters. Filter slopes can even be defined in Hz instead of octaves. Finally, you get control on each partial’s frequency, creating timbres definitely impossible using common synthesis methods.


Harmless, for less harmonics

Again, Harmless is additive doing subtractive. Harmonics are not produced to be filtered, the timbre is filtered before being generated. This may sound like a detail, but generating sounds this way offers a lot more advantages than drawbacks.


Not necessarily less efficient

Powered by a highly optimized, multithreaded additive engine, CPU usage is comparable to the one of traditional subtractive synthesizers, especially for low-passed timbres. Voices may be generating hundreds of harmonics in parallel and still not overload the CPU.


Because less is more

Harmless was limited by design. We don’t have any problem with complex synthesizers (we made several), but they’re not for everyone. Here, no tabs, no hidden controls, no multipoint envelopes, all features are visible at once, and color-grouped. Over 100 parameters, most of which being automatable, are laid over a clear GUI.


Harmless, only in appearance

Simpler to program, yet packed with evil features. Under the hood, you will find unique options, like linking the phaser’s output to partials frequencies. The LFO section can act as a special modulation source, linking the phaser’s width to the velocity, or the pitch to the filter’s envelope.

 Of course, Harmless also offers features typically unique to additive synthesis, like its automatable harmonic mask.
Harmless is also packed with effects, the usual chorus, delay & reverb, but also a multiband compressor/limiter powered by Maximus itself. It also inherited the powerful unison from Sytrus.
In conclusion, our goal was to create a subtractive synthesizer with a unique twist, that also was easy to program, and we believe it succeeded. 

ystem requirements

2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512Mb RAM.
30Mb free disc space.
DirectSound or ASIO compatible soundcard.

Link to the Harmless Windows installation file.

Win demo/Installer