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If you’ve ever wondered why pro studios pay thousands to refurbish decades old synthesizers,

just listen to SimSynth Live for the answer.

 

MiniMoog meets Oberheim

 

SimSynth Live captures the big multi-oscillator sound of a MiniMoog, and combines it with the warm, fat sound of Oberheim style SVF filters.

The result? Rich strings, wall to wall brass, and fat punchy basses. And we haven’t forgotten techno sounds either. SimSynth Live uses a filter technique that gives the EMPH knob a sound you can crank.

System requirements

2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512Mb RAM.
30Mb free disc space.
DirectSound or ASIO compatible soundcard.

Technical Specifications:

 

3 oscillators, each with a dual (warm) mode effectively making 6 oscillators
Ring modulator
A dual SVF filter that programs like an old Oberheim SEM, (lets you mix lowpass, bandpass, and highpass)
Two discrete envelopes and an LFO.Stereo chorus effect, (in case 6 oscillators aren’t warm enough)
Studio quality alias free rendering
FX Panel with EQ, Reverb, Phaser & Delay
FL Studio & VSTi versions included

Link to the SimSynth Live Windows installation file.

Win demo/Installer

 

http://www.youtube.com/watch?v=N8LnXOJNR-M

Groove Machine is a virtual groove box designed with live performance in mind, or use it as a synthesizer/drum-machine combination.

Get the groove happening

Groove Machine’s power lies in its ability to automate every parameter of the sampler, synth and effects channels on a PER-step basis.

Get a groove happening quickly and trigger samples, loops and bars/patterns on the fly from your MIDI controller or DAW software.

Focused to live performance.

We recommend a MIDI controller if you want to control Groove Machine live. However, it’s still possible to use Groove Machine with a computer mouse and keyboard, just less efficient

 

Getting to know Groove Machine.

Learn to know all Groove Machine features in this 10 minute getting started video.
Let our FL Guru guide you between the array of Groove Machine options.

Sampler & Synth channels

MIDI settings

Effects

Linking MIDI controllers

Sequencing & Loop Recording

Multiple outputs

 

Main Features:

 

5 hybrid (Subtractive/FM) synthesizer channels
8 flexible sampler channels, each with 4 sample layers
Multiple independent outputs for the 5 synth & 8 sampler channels
10 DJ-style effects + EQ and Stutter PER channel.
Stepsequencer with per-step automation allowing PER step note sculpting of all interface parameters.
Step / Drum sequencer / Piano roll views
Optimized for live performance
Internal link system for widest compatibility with MIDI controllers
Ideal for dub-step, trance, house & hip-hop producers
Available in VSTi, AU & Standalone

Link to the Groove Machine Windows installation file. Link to the Groove Machine Mac OSX installation file.

Win demo/Installer
Mac demo/Installer

 

http://www.youtube.com/watch?v=S4o3NOudfRw

 

Sawer is a vintage modelling synthesizer, that cuts through the mix to deliver precisely articulated and punchy sounds.

Meticulous designed filters and envelopes
Sawer pays homage to the envelopes and filters of a rare 1980’s Soviet analog synthesizer, Polivoks.

Maxx has devoted meticulous attention to the detail of Sawer’s filter and envelope designs, ensuring Sawer delivers a unique sonic character reminiscent of the Polivoks hardware.

But Polivoks, like all analog synthesizers, wasn’t without its problems. Keeping the oscillators stable and in tune has been likened to ‘moving a pile of live frogs, by wheelbarrow’, impossible!

As Sawer is algorithmic, this solves the problems of tuning and stability, however, in the same way electrical component instability makes analog gear unique (if not cranky), Sawer benefits from the 21st century equivalent, a coding error.

While programming the SAW oscillator, Maxx accidentally set some incorrect variables and immediately the sound gained bass, acquired some light but pleasing noise on the attack and an overall richer sonic spectra. Maxx realized this was no mistake but a discovery and built on this, adding some frequency modulation to give it a touch of analog authenticity and so ‘Sawer’ was born.

System requirements

PC:
Windows 7, Vista, XP (SP2) – (32 & 64 Bit)
2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512Mb RAM.
20Mb free disc space.
DirectSound or ASIO compatible soundcard.
Mac:
OSX v10.4 (Universal Binary)
G4 1.5 GHz or Intel Core Duo family.
512Mb RAM.
20Mb free disc space.
CoreAudio drivers.

 

Key features:

 

Main oscillator for subtractive synthesis: SAW shape with Sync frequency.
Sub oscillator (-2 to +2 octaves) with level, phase & detune controls.

1 NOISE Oscillator.

Variable polyphony (1 to 24 voices).
8 voice UNISON with user-adjustable stereo panning, detune and ‘Octaver’.
SYNC & RING frequency modulation.
2 ADSR envelope generators (one user-assignable to modulation parameters).
4 FILTER modes – low pass (24 & 12 dB/Oct), band pass and high pass.
Chorus, Phaser, Delay & Reverb effects
Muti-mode Arpeggiator.
264 high quality factory sounds.

Link to the Sawer Windows installation file. Link to the Sawer Mac OSX installation file.

Win demo/installer
Mac demo/installer
Online Documentation

 

http://www.youtube.com/watch?v=2weUeu1OHRI&

Ogun Fl Studio Plugin VSTi Download

February 12th, 2012 | Posted by admin in Plugins | Windows - (0 Comments)

Ogun can produce exceptionally rich metallic and shimmering timbres, although it’s not limited to this genre.

 

Lots of harmonics

 

Ogun’s distinctive synthesis engine can generate more than 32,000 harmonics, modulated by high-level ‘harmonic mapping’ functions, that hand tonal control directly to the user.

Try the VSTi demo and experience Ogun in your favorite host.

 

System requirements

2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512Mb RAM.
30Mb free disc space.
DirectSound or ASIO compatible soundcard

Key features:

Massive additive synthesis engine (up to 32,767 harmonics).
Realistic metallic timbres through harmonic randomization or timbre analysis (resynthesis).
Fast, precise tonal shaping through multipoint envelopes (of Sytrus fame).
Advanced Unison engine.
XY modulation pad for live expressive control.
Effects: Filter, Chorus, Delay, Reverb and EQ
Space-saving GUI.

.

 

Win demo/Installer

Link to the Ogun Windows installation file.

 

http://www.youtube.com/watch?v=6nc0jS6Picg&

Hybrid Synthesizer – subtractive but addictive

 

A disruptive innovation in software synthesis, nothing else compares to the diversity Sytrus packs. FM, RM & Subtractive synthesis – have it all!

 

Sound engine

Meticulously crafted, Sytrus delivers ethereal lush pads, sonorous bells, scintillating highs or simply dirty grunge. The 6 user-definable operators can act as independent oscillators for subtractive synthesis, cross-modulate to create complex FM (Frequency Modulation) or RM (Ring Modulation) synthesis or the 256 partial harmonic editor can be used to additively synthesize virtually any timbre you can imagine. With up to 64x oversampling Sytrus delivers 100% epic sound.

 

Effects

Sytrus features 3 independent, chainable, filter units, each containing an array of filters (13 types each with 5 cutoff slope settings) and integrated waveshaper (distortion processor).
The filter units are optionally followed by a Chorus, Delay & Reverb unit. 100% Flexibility.

 

Presets

With over 500 hand-picked presets Sytrus is ready to contribute to any genre immediately upon installation. Sounds cover – Arps, Bass, Bell, Brass, Chromatics, Drum, DX7, Experimental, FX, Guitar, Orchestral, Organ, Pad, Percussion, Piano, Plucked, Sequence, Synth, String, Wind. 100% inspiration.

 

System requirements

 

2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512Mb RAM.
30Mb free disc space.
DirectSound or ASIO compatible soundcard.

Key features:

 

6 independent operators with total freedom on oscillator shaping
FM, RM, subtractive synthesis
Multipoint articulation with unique arpeggiator system
Fully controllable & automatable unison
Effects: 13 filter types, 3 band Parametric EQ, Phaser, Chorus, Filters
X/Y modulation control
Up to 64x oversampling (for high-quality FM synthesis)

Link to the Sytrus Windows installation file.

Win demo/Installer

 

http://www.youtube.com/watch?v=q1Jr0BI_bIg&

Like the transient beauty of Sakura (Japanese for Cherry Blossom), the sound of stringed instruments blossoms and fades. Image-Line brings you ‘Sakura’, the string physical modelling instrument, to express the delicacy and beauty of stringed sounds.

Reproduce the delicate pluck of a single string

Sakura can reproduce the delicate pluck of a single string, a violins bowing or the sonorous resonance of a grand piano. Most importantly, the curious musician can take control of every aspect of the simulation to create fantastic instruments. Ever wanted to know what a 20 foot guitar sounded like? Or a bowed piano? Now you can find out, Sakura opens up a world of string modelling possibilities, why not download the Sakura demo and try it for yourself. The Sakurazensen is coming, be there to experience it.

Virtual modelling in Sakura follows a 5 stage hanami-process :

 

Contact – An impulse, the mechanical contact with the string, is first generated then shaped to simulate plucks, picks, scrapes, hammers, taps or humble fingers.
Vibration – Sakura’s dual string model then gives the operator control over a wide range of parameters such as damping, tension, positioning and string properties.
String interaction – The dual strings are then mixed, panned and enveloped to simulate interactions.
Resonance – The string/s vibration then interacts with an 8-resonator ‘body simulator’ to create the size, material and shape of the instrument
Acoustics – Virtual acoustic space is then simulated with chorus, delay and reverberation effects.

System requirements

PC:
Windows 7, Vista, XP (SP2) – (32 & 64 Bit)
2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512Mb RAM.
30Mb free disc space.
DirectSound or ASIO compatible soundcard.
Mac:
OSX v10.4 (Universal Binary)
G4 1.5 GHz or Intel Core Duo family.
512Mb RAM.
30Mb free disc space.
CoreAudio drivers.

Link to the Sakura Windows installation file. Link to the Sakura Mac OSX installation file.

Win demo/Installer
Mac demo/Installer

 

 

http://www.youtube.com/watch?v=W2lmWisPLwc&

Toxic Biohazard is the 4th generation in the line of Toxic synthesizers. Toxic Biohazard distills the best features from the previous 3 versions to deliver our most concentrated Toxic ever. Beware!

Toxic Biohazard features a hybrid synthesis engine, combining the best of FM and Subtractive synthesis. With the addition of a warm, analog-modelled filter and set of built-in effects, the Toxic concept remains one of convenience, simplicity, and superb sound quality.

 

Incorporating the best suggestions from our users,

Toxic Biohazard includes following enhancements:

 

Optimized engine. Improved the sound quality, with even more accurate waveshapes, and quicker rendering times.
“Physical” envelopes (amplitude and filter) physical modelling of how sounds in real world decay & resonate, for example, the sound of a water drop. Further, physical envelopes are rendered

real-time without any interpolation, avoiding noise artifacts and allowing Toxic Bio to deliver fast, accurate envelope times.

Pack of new effects: phaser, reverb, …

The FM technology

One of the ‘warmest’, crisp, and clear Frequency Modulation engines in the world, owes its sound to the precise calculation of the digital signal. Due to high-resolution DSP processing, it produces sound with an extremely low noise threshold; something that most FM engines cannot offer. The Toxic Biohazard sound was built from the ground up, via our own unique mathematical calculations and analog-modelling techniques.

 

The Oscillators

Completely alias-free, and well tuned for all sampling rates, they produce a rich, “fat” sound all across the spectrum. Due to the high quality of the anti-aliasing process, users will not encounter the shredding noise on high frequencies that has plagued FM synthesis in the past. Furthermore, the oscillators are calculated at extremely high speeds, keeping your CPU usage to a minimum. Toxic’s low CPU consumption affords the user plenty of room for external processing and running multiple instances. The oscillators also come equipped with Maxx Claster’s own powerful spectrum analysis technology. This allows the user to create his or her own waveforms, via the simple process of loading a WAV or AIFF format sound file. All of these features make the oscillators very flexible, and allow for the use of both synthetic and acoustic waveforms within Toxic. Each oscillator also comes with 32 built in ‘classic’ waveforms, each shown to be the most useful in FM synthesis.

 

 

The Effects

Made to assure high quality and flexibility is built into the synthesizer its self, Toxic Biohazard aims to reduce the need for external processing altogether! The effect modules are designed to give the user access to several types of effects, from aggressive, tube-like distortion, to warm stereo delay, reverb, flanger, and phaser effects. With our own pro-quality tape delay emulation, based on non-fixed delay buffer sizes, instead of the usual methods incorporated within digital delays, our delay lines give you warm sound, with “true” feedback and modulation. Lastly, the signal chain features an analog-modelled, parametric equalizer to further shape your sound. The EQ provides access to crisp, clear high-end definition, creamy mid ranges and earth-shaking low-end frequencies. The Toxic Biohazard effect modules expands its palette of sound to include everything from dark, atmospheric textures to razor sharp leads, fit to slice easily through any mix.

 

 

The Filter

Maxx Claster’s own analog-modelled, multimode filter is reminiscent of a certain silver box of old. Garnishing a warm, resonant Low-Pass mode, a smooth Band-Pass setting, and a creamy High-Pass mode, Toxic Biohazard gives a wealth of control over tone. The filter is further enhanced by modulation via a dedicated envelope generator and low frequency oscillator, as well as responding to velocity information and keyboard tracking. These features allow for extreme sound shaping, as well as subtle nuances attributed to dynamic playing.

 

 

The Sequencer

Powerful, yet simple, the sequencer offers a total of 64 steps, which can be divided into two independent, 32 step modules to allow double-polyphonic patterns. Using our own “Smart Sequencer” technology, when a chord is played, the module defines that chord, and tunes the pattern accordingly. The sequencer also allows for pure playback of the programmed sequence from single notes. Simply holding one chord can virtually create an arrangement for you!

System requirements

 

PC:
Windows 7, Vista, XP (SP2) – (32 & 64 Bit)
2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512Mb RAM.
30Mb free disc space.
DirectSound or ASIO compatible soundcard.
Mac:
OSX v10.4 (Universal Binary)
G4 1.5 GHz or Intel Core Duo family.
512Mb RAM.
30Mb free disc space.
CoreAudio drivers.

Link to the Toxic Biohazard Windows installation file. Link to the Toxic Biohazard Mac OSX installation file.

 

Win demo/Installer
Mac demo/Installer
Online Documentation

 

http://www.youtube.com/watch?v=UZJvZKtj4fI&

Slicex uses advanced beat detection algorithms to slice song/percussion samples into pieces and make them independently playable from the Piano roll or controller.

A new way of slicing

If the wave file contains slice/region data this will be automatically used instead of the beat-detection algorithm.

Slicex offers playback, reordering of slices and time-stretching capabilities optimized for drum loops.

Related plugins are the Fruity Slicer and Edison.

 

System requirements

2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512Mb RAM.
30Mb free disc space.
DirectSound or ASIO compatible soundcard.

Link to the Slicex Windows installation file.

Win demo/Installer

http://www.youtube.com/watch?v=Hu1MsAZbf5Y&

The DX-10 vsti-dxi is the VSTi version of the mda DX-10.DX10 recreates the classic FM sound but with a much simpler and more intuitive interface than any DX synth, or any of their software imitations.

Classic FM sound made simple

By using a harmonically rich modulating oscillator (with extra control in the new version) only one carrier and modulator produce a wide range of FM sounds typical of the later series of Yamaha DX synths such the DX-11 and TX-81Z.

 

System requirements

2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512Mb RAM.
30Mb free disc space.
DirectSound or ASIO compatible soundcard.

Technical Specifications:

 

New harmonic richness control
More intuitive to program than any other FM synth
+130 presets included

 

FL Studio comes with the demo of DrumSynth Live pre-installed. The demo version has all the functionality of the ‘real’ generator, although all channels using it are deleted when saving.

Link to the DX10 Windows installation file.

Win demo/Installer

 

http://www.youtube.com/watch?v=BsXEuQ8VE4U&

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