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Edison, the wave recorder/editor, will change forever the way you think about working with audio. It’s a fully host-integrated audio editing and recording tool that loads into any VST compatible effects location and will then record or play audio from that position.

An audio editor… as a plugin … or standalone

 

You may load as many instances of edison as you desire, in any number of mixer tracks or effects locations.

System requirements

2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512Mb RAM.
30Mb free disc space.
DirectSound or ASIO compatible soundcard.

 

 

Key features:

 

Optimized for sampler use (sampler region, seamless looping)
Drumloop slicing (auto-slicing, slice manipulation)
Quick drag&drop support (between instances or to your sequencer/other plugins)
Various recording modes (start/stop with host, on audio input, can also work as transparent audio logger)
Time manipulation (time stretching/pitch shifting, scratching)
Effects: convolution reverb, blur, linear-phase equalization, …
High-quality resampling
The smoothest spectral analysis display
Click-free editing
Full undo history
Intuitive editing with key feature tool-buttons
(Pascal) scripted manipulation of waveforms
Control surface support (FL Studio 8 version)

Order FL Studio to get this plugin.

Win demo/Installer

http://www.youtube.com/watch?v=T3NQGkaKseo&list=PLE653017E65F7EC9A&

Invent sounds

The WASP vsti-dxi is best described as a “broad” analogue emulation

synth, which means it can model sounds from a large range of

analog synths such as Moog, Roland and others.
New & experimental sounds are easy to synthesize with this plugin!

System requirements

2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512Mb RAM.
30Mb free disc space.
DirectSound or ASIO compatible soundcard.

Technical Specifications

 

2 oscillators with coarse tune, -36/+36 semitones, & fine tune
Oscillator shapes including sawtooth, square, sine & noise
Sub Oscillator, slaved to Osc1 (one octave below), saw & square shapes
Oscillator Mix slider
Pulse Width for Osc1 & Osc2
Frequency Modulation (Osc1>Osc2)
Ring Modulator (Osc1 x Osc2)
Amplitude envelope (ADSR) which can be linked to Filter ADSR
Filter envelope (ADSR)
2 LFOs with Pitch, Osc Mix, Cutoff, Amp, PWM targets
Filter section, packed with 6 filters.
Cutoff, Resonance & Filter Envelope Amount adjustable
Distortion section with Drive + Tone Control

Link to the WASP & WASP XT Windows installation file.

 

Win demo/Installer

 

http://www.youtube.com/watch?v=G6hVYMzTbnQ&

For your mixing and mastering pleasure we bring you Juice Pack, a collection of the most popular effects from FL Studio as VSTi plugins.

Inside this pack you will find a collection of VSTi plugins designed to give
your tracks that professional polish you are looking for.

Delay (VSTi)
Delay Bank (VSTi)
EQUO (VSTi)
Flangus (VSTi)
Love Philter (VSTi)
Multiband Compressor (VSTi)
Parametric EQ (VSTi)
Parametric EQ 2 (VSTi)
Spectroman (VSTi)
Stereo Enhancer (VSTi)
Vocoder (VSTi)
Wave Candy (VSTi)
WaveShaper (VSTi)
Notebook

System requirements

 

Windows XP/Vista/7
2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512 Mb RAM
130 Mb disk space

Link to the JuicePack VST plugins.

Win demo/Installer

PoiZone is a subtractive software synthesizer designed to bring you professional quality results, without a learning curve that hinders your creativity.

The concept behind PoiZone was to design a synthesizer that had the smallest number of controls while providing the maximum flexibility and features.

 

A lot of punch in a simple package.

 

Useless knobs were ruthlessly removed so what remains is a UI where every knob counts. Once you have spent some time auditioning the preset patches we are sure you will agree that PoiZone packs a lot of punch in what appears to be a simple package, enjoy!

System requirements

PC:
Windows 7, Vista, XP (SP2) – (32 & 64 Bit)
2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512Mb RAM.
30Mb free disc space.
DirectSound or ASIO compatible soundcard.
Mac:
OSX v10.4 (Universal Binary)
G4 1.5 GHz or Intel Core Duo family.
512Mb RAM.
30Mb free disc space.
CoreAudio drivers.

 

Key features:

 

2 oscillators that can produce the two most popular and useful shapes for subtractive synthesis: fat, bright SAW and PULSE shapes, with adjustable pulse width.
Noise generator.
Ring modulation
Sync modulation
16 voice polyphony
4 voice UNISON with user-adjustable stereo panning and ‘Octaver’. The Octaver expands the harmonic range and flexibility of the unison sound to support the creation of realistic ‘vox-like’ effects
2 ADSR envelope generators. One for traditional envelope duties, the other can be user assigned
3 FILTER modes – low pass, band pass and high pass. PoiZone features a warm, super-trooper-extra-analog-moog-like-mega filter with self oscillation. Special attention has been given to precise filter tuning so that when KEYTRK is set to maximum, the PoiZone filter will track keyboard frequency precisely so it can be used as an oscillator. The PoiZone filter has bright and clean sound or it can be ‘grungy’ and ‘angry’ when resonance is introduced as it features some light distortion. And even with distortion the filter sounds clean on high frequencies as it has no aliasing
Keyboard and Velocity tracking for the filter
Multi-mode Arpeggiator
Noise Gate with an adjustable 16 step pattern. The gate features smoothness control and the ability to import/export patterns to .fxp files
DELAY effect, with tempo-synced click-free stereo delays and delay time modulation. Lo-cut and hi-cut for trancers!
CHORUS with a warm sound with great unison emulation
MIDI learn feature with the ability to save/load MIDI setups to/from a patch
LFO and MOD WHEEL modulation. Can be assigned to a wide range of performance parameters in PoiZone
330 high quality factory sounds.

Link to the Poizone Windows installation file. Link to the Poizone MAC OSX installation file.

Win demo/Installer
Mac demo/Installer
Online Documentation

http://www.youtube.com/watch?v=Hgl3sSY9NLY&

Hardcore a collection of 10 classic effects designed with Guitarists in mind.

 

Your digital pedalboard

Playing guitar is cool, but the steep learning curve to make your DAW sound like your old amp and stomp-boxes definitely isn’t. Welcome then to Hardcore.

These great stomp-boxes can be neatly arranged on the Hardcore pedalboard, each with it’s own distinctive ‘hardware’ flavour. But wait, there’s more (as they say), Hardcore includes an 8 band graphic EQ and 5 classic cabinet simulations to tie it all together into one massive sound. You will be feeling at home with Hardcore in no time at all, but more importantly sounding like famous people.

 

 

System requirements

 

2Ghz Intel Pentium 3 compatible CPU
Intel CPU or G4 PowerPC (Mac)
512 Mb RAM
20 Mb disk space

 

Inside Hardcore you will find all your staple effects including:

 

Distortion
Chorus
Flanger
Phaser
Reverb
Delay
Noise Gate
Equalizer
Compression
Modulator

Link to the Hardcore Windows installation file. Link to the Hardcore MAC OSX installation file.

 

Win demo/Installer
Mac demo/Installer

http://www.youtube.com/watch?v=9NuBKnKjXhA&feature=player_embedded

Pitcher (effect) is a real-time pitch correction and manipulation plugin.

This time it gains a new user interface and more advanced feature

Pitcher – live pitch control

System requirements

 

Windows XP/Vista/7
2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512 Mb RAM
130 Mb disk space

Key features:

 

Autocorrect vocals & instruments live
Correct/Harmonize using the Piano roll
Correct/harmonize playing live keyboard

Link to the FL Studio installation file.

Windows demo

 

http://www.youtube.com/watch?v=-0pYV0yKkRo&

Play with time! Gross Beat is a time and volume manipulation effect designed for repetition, scratching & gating effects.

Instant and powerful …

Gross beat is perfect for real-time or rendered gating, glitch, repeat, scratching and stutter performances. Gross Beat stores audio in a 2-bar rolling buffer under the control of 36 user definable time and volume envelopes, giving you unlimited creative control.

Live or automated performance

Gross Beat Time and Volume presets can be linked to a keyboard, pad controller or automation source for on-the-fly changes to the preset. Preset slots can be set to momentary (key-held), return to base (slot 1) or hold mode on a per-preset basis.  Preset-change synchronization can be set from immediate through to 4 beats (1 bar).

 

Gating & volume effects

In addition to the gating possibilities afforded by the spline based envelope, Gross Beat is perfect for side-chain effects without the need to link to an audio source. Just select one of the ducking-style presets for instant side-chain pumping.

The TRON Legacy legacy …

Gross Beat can be heard on Daft Punk’s Tron Legacy soundtrack playing a major part in the rhythmic structure. Why not experiment with the same presets as were used in the soundtrack.

System requirements

Windows XP/Vista/7
2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512 Mb RAM
130 Mb disk space

 

Key features:

 

Powerful MIDI controlled envelopes
2 bar audio buffer
Real time effect, perfect for live performance
36 volume/gating envelopes with user-controlled smoothing
Linked or independent volume & gating slot operation
A large number of creative presets ready to go

Link to the Gross Beat Windows installation file.

Win demo/Installer

 

http://www.youtube.com/watch?v=5Z-fQqBFQs8&

Harmless Fl Studio Plugins Synthesizer

January 8th, 2012 | Posted by admin in Plugins | Windows - (0 Comments)

Harmless is an additive synthesizer doing subtractive synthesis. Or if you prefer, a subtractive synthesizer powered by an additive synthesis engine.

 

Not just another subtractive synth….

You may ask: why?

For several reasons. To begin with, there are too many subtractive synthesizers already, often bragging about being virtual analog. This one is digital, and proud to be. Everything is fake, the tone generator, the filter & its resonance, the phaser, all performed on the harmonics, before partials are computed.
Now, how it’s synthesized shouldn’t matter after all, if the result sounds subtractive. But Harmless is more than a proof of concept, it allows fine control that wouldn’t be possible through classic subtractive synthesis. Filtering and phasing can be assigned unusual shapes & slopes, something normally only possible through offline digital filters. Filter slopes can even be defined in Hz instead of octaves. Finally, you get control on each partial’s frequency, creating timbres definitely impossible using common synthesis methods.

 

Harmless, for less harmonics

Again, Harmless is additive doing subtractive. Harmonics are not produced to be filtered, the timbre is filtered before being generated. This may sound like a detail, but generating sounds this way offers a lot more advantages than drawbacks.

 

Not necessarily less efficient

Powered by a highly optimized, multithreaded additive engine, CPU usage is comparable to the one of traditional subtractive synthesizers, especially for low-passed timbres. Voices may be generating hundreds of harmonics in parallel and still not overload the CPU.

 

Because less is more

Harmless was limited by design. We don’t have any problem with complex synthesizers (we made several), but they’re not for everyone. Here, no tabs, no hidden controls, no multipoint envelopes, all features are visible at once, and color-grouped. Over 100 parameters, most of which being automatable, are laid over a clear GUI.

 

Harmless, only in appearance

Simpler to program, yet packed with evil features. Under the hood, you will find unique options, like linking the phaser’s output to partials frequencies. The LFO section can act as a special modulation source, linking the phaser’s width to the velocity, or the pitch to the filter’s envelope.

 Of course, Harmless also offers features typically unique to additive synthesis, like its automatable harmonic mask.
Harmless is also packed with effects, the usual chorus, delay & reverb, but also a multiband compressor/limiter powered by Maximus itself. It also inherited the powerful unison from Sytrus.
In conclusion, our goal was to create a subtractive synthesizer with a unique twist, that also was easy to program, and we believe it succeeded. 

ystem requirements

2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512Mb RAM.
30Mb free disc space.
DirectSound or ASIO compatible soundcard.

Link to the Harmless Windows installation file.

Win demo/Installer

http://www.youtube.com/watch?v=YAm0kWlanJs

DrumSynth Live is an updated version of the popular DrumSynth standalone created by Maxim Digital Audio.

 

Drum patches to the max

DrumSynth Live features simultaneous support for 24 programmable real-time drum patches, each assigned to a separate key (C4 to B5).

You can morph dynamically from one drum patch to another – just select the patch to morph to and tweak the morph amount wheel.
In DrumSynth Live, sound is created by two noise generators and filtered by bandpass filters with incredible range – you can set anything from a single frequency (sine wave) to full white noise.

 

System requirements

2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512Mb RAM.
30Mb free disc space.
DirectSound or ASIO compatible soundcard.

Technical Specifications:

 

Cool interface
Create complete drumtracks in a single channel
Change properties according to the note velocity
‘Sends’ for your own send tracks

 

FL Studio comes with the demo of DrumSynth Live pre-installed. The demo version has all the functionality of the ‘real’ generator, although all channels using it are deleted when saving.

Link to the DrumSynth Live Windows installation file.

http://www.youtube.com/watch?v=QkTEzsAjhqs&feature=player_embedded

Maximus will deliver transparent peak limiting and volume maximization without coloration of the processed sound. However, Maximus is much more than a pristine quality Mastering Maximizer, it’s also a Compressor, Limiter, Noise Gate, Expander, Ducker and De-esser. Maximus excels equally well as a final mastering plugin or as a per-track effect. Lock and load.

 

Heavy weaponry for the loudness war.

 

Maximus will quickly become one of the most rewarding tools in your recording and mixing arsenal. Maximus applies level maximization via compression and/or limiting across three frequency bands, to enhance and improve the final track.

Used sparingly, Maximus raises the volume of the track without introducing unwanted distortion and ensures that the quieter parts, often lost in the mix, are more easily heard.

 

More presence

 

Maximus offers 4 user definable compression curves and
complete visual analysis of the sound as it is processed.

Bass can be increased and higher frequencies sharpened. Selected elements of a mix, instruments or vocals for example, or complete tracks are given a professionally mastered ‘presence’.

 

System requirements

 

Windows XP/Vista/7
2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512 Mb RAM
130 Mb disk space

Key features:

 

3 independent user-definable Low Mid High (LMH) frequency bands.
Custom look-ahead for the LMH bands and Master compression envelopes.
4 compressors/limiter: One per LMH band plus a Master wide band compressor/limiter.
Each compressor has an infinitely variable, multipoint compression curve. Create any shaped knee or special effects (limiting, compression, gating or expansion)
Fully configurable. Any of the LMH or Master compressors can be bypassed to configure Maximus to suit any compression task
Two saturation types per LMH & Master bands, with independent gain
Mixing between the frequency dependent compressors and the master, perfect for parallel & NY-style compression
4 Independent stereo separation control per band

Link to the Maximus Windows installation file.

Win demo/Installer

http://www.youtube.com/watch?v=Jy3Qu742O48