Free Plugins Download, Synths, FX, Loops and Samples
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DirectWave is one of the most complete VSTi samplers currently available.

 

The demo’s in this player
are created using Varazdin Orchestral and don’t come with DirectWave by default.

 

Opens all your sounds

 

It loads and edits most of the existing sound formats³ out there (WAV (any), SF2 (Soundfont), AKP (Akai), Propellerheads Recycle, Native Instruments Battery, Kontakt *(nki), GIGA *(gig) & eMagic EXS24, …) and it can even sample your existing VSTi instruments.

DirectWave Player is now included for free in all versions of FL Studio

Attention: in the FL Studio demo you can switch between

DirectWave Player and DirectWave full to test the program.

 

System requirements

2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512Mb RAM.
30Mb free disc space.
DirectSound or ASIO compatible soundcard.

Technical Specifications:

 

16 part multitimbral, 32-bit VSTi sampler
128 Voice Polyphony
128 programs
unlimited zones per program
All samplerates supported
Realtime SINC-64 point interpolation (HQ Audiophile)
Poly, Mono, Legato operation, with glide / auto mode.
2*24 dB 5 mode filters serial or parallel
Flexible 16 slot freely assignable Modulation Matrix
2 mod. ADSR envelopes, 2 zone-independent mod. LFOs 2 global program mod. LFOs
Automatable loop points, reverse loop points supported
Loop modes : fwd, one-shot, sustained, bounce looping
Automatable sample start offset (available as mod. destination parameters)
Built-in voice Insert FX with independent settings for each zone : ring mod. samplerate decimator, bitcrusher & phaser.
Built-in send effects : chorus, reverb, delay (with filtered feedback, sync to host tempo).
Independent send amounts per zone
Freely assignable 16 stereo outputs
Multi-editor with channel list, mixer, expression, modulation and pitchbend GUI controls
Built-in sample editor with destructive editing (cut / copy / paste / trim functions), loop finding tool, normalize, vertical / horizontal zooming, etc)
Realtime sampling / recording of whatever is connected to DirectWave inputs (needs modular host or host with assignable plug-in routing)
Record Threshold: sampling input will wait until signal peak arises (-40dB)
Built-in VSTi host to easily automate “sampling” of your vst instruments directly into DirectWave
Total Recall operation mode: DirectWave will enclose all the required  sample data in the project files created by your host: it creates totally portable projects without worrying about needed sample files
Import: DWP (proprietary), WAV (any), SF2 (Soundfont), AKP (Akai), Propellerheads Recycle, Native Instruments Battery, Kontakt *(nki), GIGA *(gig) & eMagic EXS24
Several importing methods: built-in browsing, drag&drop, menu options
Built-in fast library browser list and tree-arranged menu program selector.
Zone editor with visual zone arrangement map and list with all zone properties
All program/zone parameters of all channels can be automated as VST parameters
³WARNING: DirectWave will not import the above formats if they have been encrypted/protected. Encryption is sometimes used by vendors to prevent non-native import of program files (they want you to buy their sampler) so check with the vendor they are not encrypyted/locked to a given sampler if you are planning to purchase any of these formats for use with DirectWave and/or test out the demo of DirectWave to see if it works BEFORE you buy it.

Link to the DirectWave Windows installation file.

Win demo/Installer

 

http://www.youtube.com/watch?v=GI_09gI6Rkg&

If you’ve ever wondered why pro studios pay thousands to refurbish decades old synthesizers,

just listen to SimSynth Live for the answer.

 

MiniMoog meets Oberheim

 

SimSynth Live captures the big multi-oscillator sound of a MiniMoog, and combines it with the warm, fat sound of Oberheim style SVF filters.

The result? Rich strings, wall to wall brass, and fat punchy basses. And we haven’t forgotten techno sounds either. SimSynth Live uses a filter technique that gives the EMPH knob a sound you can crank.

System requirements

2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512Mb RAM.
30Mb free disc space.
DirectSound or ASIO compatible soundcard.

Technical Specifications:

 

3 oscillators, each with a dual (warm) mode effectively making 6 oscillators
Ring modulator
A dual SVF filter that programs like an old Oberheim SEM, (lets you mix lowpass, bandpass, and highpass)
Two discrete envelopes and an LFO.Stereo chorus effect, (in case 6 oscillators aren’t warm enough)
Studio quality alias free rendering
FX Panel with EQ, Reverb, Phaser & Delay
FL Studio & VSTi versions included

Link to the SimSynth Live Windows installation file.

Win demo/Installer

 

http://www.youtube.com/watch?v=N8LnXOJNR-M

Ogun Fl Studio Plugin VSTi Download

February 12th, 2012 | Posted by admin in Plugins | Windows - (0 Comments)

Ogun can produce exceptionally rich metallic and shimmering timbres, although it’s not limited to this genre.

 

Lots of harmonics

 

Ogun’s distinctive synthesis engine can generate more than 32,000 harmonics, modulated by high-level ‘harmonic mapping’ functions, that hand tonal control directly to the user.

Try the VSTi demo and experience Ogun in your favorite host.

 

System requirements

2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512Mb RAM.
30Mb free disc space.
DirectSound or ASIO compatible soundcard

Key features:

Massive additive synthesis engine (up to 32,767 harmonics).
Realistic metallic timbres through harmonic randomization or timbre analysis (resynthesis).
Fast, precise tonal shaping through multipoint envelopes (of Sytrus fame).
Advanced Unison engine.
XY modulation pad for live expressive control.
Effects: Filter, Chorus, Delay, Reverb and EQ
Space-saving GUI.

.

 

Win demo/Installer

Link to the Ogun Windows installation file.

 

http://www.youtube.com/watch?v=6nc0jS6Picg&

Harmless Fl Studio Plugins Synthesizer

January 8th, 2012 | Posted by admin in Plugins | Windows - (0 Comments)

Harmless is an additive synthesizer doing subtractive synthesis. Or if you prefer, a subtractive synthesizer powered by an additive synthesis engine.

 

Not just another subtractive synth….

You may ask: why?

For several reasons. To begin with, there are too many subtractive synthesizers already, often bragging about being virtual analog. This one is digital, and proud to be. Everything is fake, the tone generator, the filter & its resonance, the phaser, all performed on the harmonics, before partials are computed.
Now, how it’s synthesized shouldn’t matter after all, if the result sounds subtractive. But Harmless is more than a proof of concept, it allows fine control that wouldn’t be possible through classic subtractive synthesis. Filtering and phasing can be assigned unusual shapes & slopes, something normally only possible through offline digital filters. Filter slopes can even be defined in Hz instead of octaves. Finally, you get control on each partial’s frequency, creating timbres definitely impossible using common synthesis methods.

 

Harmless, for less harmonics

Again, Harmless is additive doing subtractive. Harmonics are not produced to be filtered, the timbre is filtered before being generated. This may sound like a detail, but generating sounds this way offers a lot more advantages than drawbacks.

 

Not necessarily less efficient

Powered by a highly optimized, multithreaded additive engine, CPU usage is comparable to the one of traditional subtractive synthesizers, especially for low-passed timbres. Voices may be generating hundreds of harmonics in parallel and still not overload the CPU.

 

Because less is more

Harmless was limited by design. We don’t have any problem with complex synthesizers (we made several), but they’re not for everyone. Here, no tabs, no hidden controls, no multipoint envelopes, all features are visible at once, and color-grouped. Over 100 parameters, most of which being automatable, are laid over a clear GUI.

 

Harmless, only in appearance

Simpler to program, yet packed with evil features. Under the hood, you will find unique options, like linking the phaser’s output to partials frequencies. The LFO section can act as a special modulation source, linking the phaser’s width to the velocity, or the pitch to the filter’s envelope.

 Of course, Harmless also offers features typically unique to additive synthesis, like its automatable harmonic mask.
Harmless is also packed with effects, the usual chorus, delay & reverb, but also a multiband compressor/limiter powered by Maximus itself. It also inherited the powerful unison from Sytrus.
In conclusion, our goal was to create a subtractive synthesizer with a unique twist, that also was easy to program, and we believe it succeeded. 

ystem requirements

2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512Mb RAM.
30Mb free disc space.
DirectSound or ASIO compatible soundcard.

Link to the Harmless Windows installation file.

Win demo/Installer

http://www.youtube.com/watch?v=YAm0kWlanJs

DrumSynth Live is an updated version of the popular DrumSynth standalone created by Maxim Digital Audio.

 

Drum patches to the max

DrumSynth Live features simultaneous support for 24 programmable real-time drum patches, each assigned to a separate key (C4 to B5).

You can morph dynamically from one drum patch to another – just select the patch to morph to and tweak the morph amount wheel.
In DrumSynth Live, sound is created by two noise generators and filtered by bandpass filters with incredible range – you can set anything from a single frequency (sine wave) to full white noise.

 

System requirements

2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512Mb RAM.
30Mb free disc space.
DirectSound or ASIO compatible soundcard.

Technical Specifications:

 

Cool interface
Create complete drumtracks in a single channel
Change properties according to the note velocity
‘Sends’ for your own send tracks

 

FL Studio comes with the demo of DrumSynth Live pre-installed. The demo version has all the functionality of the ‘real’ generator, although all channels using it are deleted when saving.

Link to the DrumSynth Live Windows installation file.

http://www.youtube.com/watch?v=QkTEzsAjhqs&feature=player_embedded

Maximus will deliver transparent peak limiting and volume maximization without coloration of the processed sound. However, Maximus is much more than a pristine quality Mastering Maximizer, it’s also a Compressor, Limiter, Noise Gate, Expander, Ducker and De-esser. Maximus excels equally well as a final mastering plugin or as a per-track effect. Lock and load.

 

Heavy weaponry for the loudness war.

 

Maximus will quickly become one of the most rewarding tools in your recording and mixing arsenal. Maximus applies level maximization via compression and/or limiting across three frequency bands, to enhance and improve the final track.

Used sparingly, Maximus raises the volume of the track without introducing unwanted distortion and ensures that the quieter parts, often lost in the mix, are more easily heard.

 

More presence

 

Maximus offers 4 user definable compression curves and
complete visual analysis of the sound as it is processed.

Bass can be increased and higher frequencies sharpened. Selected elements of a mix, instruments or vocals for example, or complete tracks are given a professionally mastered ‘presence’.

 

System requirements

 

Windows XP/Vista/7
2Ghz AMD or Intel Pentium 3 compatible CPU with full SSE1 support
512 Mb RAM
130 Mb disk space

Key features:

 

3 independent user-definable Low Mid High (LMH) frequency bands.
Custom look-ahead for the LMH bands and Master compression envelopes.
4 compressors/limiter: One per LMH band plus a Master wide band compressor/limiter.
Each compressor has an infinitely variable, multipoint compression curve. Create any shaped knee or special effects (limiting, compression, gating or expansion)
Fully configurable. Any of the LMH or Master compressors can be bypassed to configure Maximus to suit any compression task
Two saturation types per LMH & Master bands, with independent gain
Mixing between the frequency dependent compressors and the master, perfect for parallel & NY-style compression
4 Independent stereo separation control per band

Link to the Maximus Windows installation file.

Win demo/Installer

http://www.youtube.com/watch?v=Jy3Qu742O48